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Fringe is still two months away, but details about the performances, food and decor are starting to trickle out.
The restaurant, located a block north of the 14th Street sinkhole, has created a cocktail in its honor.
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In today’s Washington Post, we continue our annual “Lost Tracks” feature — reviews of albums that we thought didn’t get enough love last year.
Allison Stewart sinks into the “fascinating, pugnacious mess” of Death Grips, Elizabeth Nelson chimes in on New Zealand’s the Renderers, and Bill Friskics-Warren guides us through the Fania Records primer compilation “El Barrio: The Ultimate Collection of Latin Boogaloo, Disco, Funk & Soul.”
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11:25 AM ET, 01/03/2012
Categories:
Album reviews
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Tags:
Death Grips,
the Renderers,
Fania Records
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